Senin, 03 Juni 2019

Fashion Nova pulls 'disrespectful' shirt appearing to reference California Camp Fire - Fox News

Popular retailer Fashion Nova has spoken out after removing a controversial shirt that received extreme backlash for seeming to reference the devastating California Camp Fire that devastated the town of Paradise.

The Los Angeles-based clothing store featured a men’s t-shirt with an image of a building burning alongside the words “This must be Paradise.”

However, the brand said in a statement to Fox News that the shirt originally went on sale in July 2018 and has no connection to the Paradise fire.

"We deeply apologize to anyone offended by the redistribution of the 'This Must Be Paradise Tee,'" the statement to Fox News read. "The graphic tee first went on sale July of 2018 and has no connection to Paradise, CA. The structure shown in the image is not a depiction of the town or any structure within the town of Paradise, CA. This is an unfortunate coincidence that we flagged immediately when the fires happened in November of 2018. At the time of the fires, the tee was pulled from our website completely."

The statement continues, stating that due to the company's return process, "the tee was relisted on our website through automatic processing."

The response from the company comes after those on social media attacked the brand's design, claiming the building was of a home in Paradise, California.

FASHION NOVA'S RISQUÉ 'CUT-OUT' PANTS FACE CRITICISM ON TWITTER: 'THOSE AREN’T PANTS. STOP IT'

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The Camp Fire destroyed more than 153,000 acres and became the deadliest blaze in the state’s history, causing 85 civilian fatalities, before it was finally contained over two weeks after it started. The town of Paradise was one of the hardest hit, losing nearly 19,000 buildings — most of which were residential.

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https://www.foxnews.com/lifestyle/fashion-nova-pulls-shirt-california-camp-fire-backlash

2019-06-03 16:26:05Z
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Fashion Nova pulls 'disrespectful' shirt appearing to feature California Camp Fire - Fox News

Popular retailer Fashion Nova has removed a controversial shirt from its online store after receiving extreme backlash.

The Los Angeles-based clothing store featured a men’s t-shirt with an image of what appears to be a home burning in the devastating Camp Fire alongside the words “This must be Paradise.”

FASHION NOVA'S RISQUÉ 'CUT-OUT' PANTS FACE CRITICISM ON TWITTER: 'THOSE AREN’T PANTS. STOP IT'

Those on Twitter quickly attacked the brand’s design, specifically that the shirt featured the name of the California town that was nearly destroyed by the 2018 fire.

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Some online have claimed that the shirt was designed in 2018 — before the November 8 fire, although Fashion Nova has not confirmed this.

Fashion Nova did not immediately respond to a request for comment.

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The Camp Fire destroyed more than 153,000 acres and became the deadliest blaze in the state’s history, causing 85 civilian fatalities, before it was finally contained over two weeks after it started. The town of Paradise was one of the hardest hit, losing nearly 19,000 buildings — most of which were residential.

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https://www.foxnews.com/lifestyle/fashion-nova-pulls-shirt-california-camp-fire-backlash

2019-06-03 15:00:39Z
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Global Fashion Group plans to raise €300M in Frankfurt IPO - TechCrunch

The ongoing evolution of the startup factory known as Rocket Internet continues apace. Today, the group of regional e-commerce fashion sites incubated in the Berlin outfit that eventually got spun out under the Global Fashion Group umbrella — Zalora, Dafifi, The Iconic and La Moda — announced that it is planning a public listing on the Frankfurt stock exchange. It is expecting to raise €300 million ($336 million) by selling newly issued shares in its IPO.

Part of the hope is that the funding and IPO will help the group continue building out its presence in emerging markets — when it was in growth mode, one of Rocket’s key strategies was building e-commerce “clones” in developing markets to tap into early growth ahead of large global brands like Amazon expanding and competing against it.

Emerging markets are still growing at a time when growth in more developed markets in regions like the US and Western Europe has levelled off. GFG estimates that the total value of fashion and lifestyle in its operating regions totalled €320 billion in 2018.

“We are excited about this next step for GFG,” Christoph Barchewitz and Patrick Schmidt, the co-CEOs, said in a joint statement. “It is still very early days for fashion and lifestyle e-commerce in our markets. Today, most of our markets have less e-commerce adoption than Europe had 10 years ago. As consumer behaviour migrates towards e-commerce, GFG’s well-known consumer platforms, local teams, and fashion-specific operational infrastructure put us at the forefront of this growth opportunity. An IPO will allow us to keep investing in our end-to-end customer proposition, further strengthening our position as the leading fashion and lifestyle destination in growth markets.”

We’ve asked for an estimated valuation of the GFG, and we’ll update this post as we learn more. Historically, the group has had some ups and downs. One round of funding in 2016 came at a $1.1 billion valuation — but that was down on a valuation of $3.5 billion a year before. Several of the most unprofitable operations have also been closed or downsized over the years.

In the meantime, GFG is disclosing some numbers ahead of the listing:

● It notes that its active customer base is now 11.2 million, up from 8.9 million in 2016.
● NMV grew from €1,076 million to €1,453 million between 2016 and 2018.
● Revenues were €1,156 million in 2018, up from €887 million in 2016.
● GFG is still operating at a net loss but individual operations are now break-even on an Adjusted EBITDA basis. These include its Latin American operations and Australia.
● For the year 2018, Adjusted EBITDA margin (post the adoption of IFRS 16) was (4.3)%.
● Following a strong first quarter, GFG expects NMV to grow by 20-23% (on an organic basis)
to reach €1.7bn to €1.8bn in 2019.
● Further, the Company expects to generate more than €1.3 billion in revenue and to make additional progress towards EBITDA break-even in 2019.

DTC (direct to consumer) has become one of the most important trends in online commerce in the last several years, with a number of brands bypassing traditional retailers and leveraging their own websites, social media and other channels to find and sell to customers.

The companies that make up the GFG have been built in part on that trend: consumers have become more open to hearing about and trusting new brands in recent years, and that has helped GFG’s companies establish themselves in the market, collectively selling more than 40 of their own fashion and lifestyle brands (and reaching economies of scale by selling them across their various markets) alongside 10,000 global, local and own fashion brands to a market of over 1 billion consumers.

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https://techcrunch.com/2019/06/03/global-fashion-group-plans-to-raise-e300m-in-frankfurt-ipo/

2019-06-03 12:10:22Z
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From Fashion Exec to Floral Industry Disruptor - Forbes

Whitney Bromberg Hawkings possesses a tenacious drive with an innate eye for beauty. Today, she uses these talents as the CEO and Founder of FLOWERBX, her internationally successful, direct-to-consumer flower delivery brand.

However, for 18 years, her spirit and skill thrust Whitney to the highest levels within the fashion industry. Before launching FLOWERBX, Whitney worked alongside fashion and filmmaking icon, Tom Ford. First, she worked as his personal assistant and eventually rose to the Senior Vice President of Communications position for his brand, TOM FORD. She calls Ford her greatest business mentor.

Still, as much as Whitney loved jet-setting around the globe to help Ford make an indelible mark on the fashion and entertainment world, she couldn’t help but dream of making a mark of her own. She just wasn’t quite sure how.

It was Ford himself who taught Whitney to always create a ten-year plan. During her 20s, she dedicated herself to growth within the company. In her 30s, it was all about adding family to her life. She got married and gave birth to three children.

But all too quickly, Whitney was approaching her 40s. She’d already risen to the top of her elite industry while balancing the challenges of raising a young family.

What would her next ten years look like?

Lessons from a Legend

Even if you don’t think you know Tom Ford’s work, you probably do. He started out as a fashion designer working with houses like Gucci and Yves St. Laurent before launching his own brand. He also designed the signature suits for three James Bond films and even has a platinum hit by Jay-Z named after him.

Once he conquered fashion, Ford took his creativity into a slightly unexpected arena—filmmaking. To date, Ford has directed two Oscar-nominated films, A Single Man (2009) and Nocturnal Animals (2016).

So, how did Whitney get connected to this multi-talented mogul?

As a recent college grad from Texas, Whitney moved to Paris, France with a dream of working within the European fashion industry. However, without experience or a work visa, she struck out at every interview.

Then, she got a tip that Ford, Gucci’s Creative Director at the time, was looking for a personal assistant. Whitney wasn’t necessarily looking for a PA job, but she knew it was a once-in-a-lifetime opportunity. Not only did Whitney admire Ford’s work—she also knew they had something in common. He was a native Texan living in Paris, just like her.

Whitney landed the interview and met with Ford. They immediately clicked over their common life trajectory and insights about the fashion world. She got the job and her career took off.

For the next 18 years, Whitney grew alongside Ford’s empire eventually becoming his Senior VP of Communications. She even met her husband, Peter Hawkings, the Senior VP of  Menswear at TOM FORD while working at the company.

She attributes Ford’s wisdom and leadership style for molding her into the entrepreneur and business owner she is today. She learned that success followed tireless, hard work—something Ford and his team demonstrated constantly. “I've never met anyone who works harder than he does,” says Whitney.

Ford also instilled in his team the importance of having a strong, unwavering vision. “He taught me a lot about the singularity of vision and having a very clear, strong creative vision that you don’t deviate from.” says Whitney.” This advice would prove invaluable as Whitney slowly began jumping into a new world—entrepreneurship.

FLOWERBX

FLOWERBX

Sowing the Seeds of Entrepreneurship

In the world of high-end couture, few products are more important flowers. From the runway to photo shoots, anything from wilted roses to incorrect arrangements could upset the designer’s creative vision. As Tom Ford’s top assistant, Whitney regularly found herself putting out fires caused by the delivery of subpar flowers by unreliable floral services.

For years, solving these fiascos was a frustrating, yet typical, part of her job. However, as her inner-entrepreneur began to brew, Whitney knew there was a better way to run the floral industry—and she’d be the one to create it.

Whitney believed that solving this problem involved more than building a better floral service. She also wanted to build a strong brand that proudly offered consistent products, services, quality and freshness worldwide.

“If you go to Gucci in Shanghai or Tokyo or Los Angeles, you're getting the same consistency of experience. The same store staff wears the same uniform and the same cologne. In flowers, there’s this real element of chance—and there’s really not a reason for that.”

A cohesive brand gives customers a dependable, high-quality experience. Oftentimes, this experience leads to lifelong brand loyalty. For example, you can walk into any Apple or Starbucks store on Earth and expect the same service, product and experience as anywhere else.

In today’s connected marketplace, why couldn’t consumers call a trusted floral brand to order top quality products? If countless other brands did it, why not flowers? That’s when the idea for her new business really took off in her mind. It was time to cut the middleman out of flower delivery.

“If I can create a direct-to-consumer brand,” thought Whitney, “I'm buying straight from the growers and cutting out the unnecessary steps that lead to less fresh and more expensive flowers. In putting pen to paper, I realized that financially, there really was a way to add real value in a fresher product.”

Whitney believed her dream had industry-disrupting potential. After over 18 years working with Tom Ford, she put in her tear-filled resignation and started her next ten-year plan—FLOWERBX.

Sprouting a Better Service

So, how exactly does FLOWERBX work?

Unlike traditional floral services where flowers are purchased in bulk from wholesalers, often days after harvest, FLOWERBX has no inventory. Instead, every order is individually cut in Holland and delivered directly to the customer.

By only fulfilling orders on-demand, this also means no wasted flowers which is a massive problem within the current floral industry. According to Whitney, “traditional floral services have up to 50% waste every day.”

The only caveat is the extra lead time needed to carry out the order—usually about 24 hours. However, thanks to FLOWERBX’s overwhelming benefits, customers happily wait a little longer for hand-picked flowers, especially when it means receiving fresh, consistently fantastic products to their door.

When FLOWERBX officially launched in 2016, the service was an immediate hit. The company quickly expanded from the U.K.—Whitney’s current homebase—and spread across mainland Europe. Today, FLOWERBX is in over 20 European countries and serves as the luxury option for flowers on-demand with clients like Louis Vuitton, Christian Dior and the Beckhams.

Next on the list for FLOWERBX—the United States. The flower brand just launched in New York City in May with hopes to expand nationwide.

Inviting the Right People to the Table

“Never hire someone you wouldn’t invite to dinner,” Tom Ford once told Whitney. She considers these words some of her mentor’s most influential advice and she takes them to heart every time she makes a hiring decision.

This insight hasn’t failed her yet. After all, the people you work tirelessly alongside to help your vision thrive should be more than just qualified. They should connect on a personal and emotional level too—just like Ford and Whitney did over twenty years ago.

Whitney’s leadership goal is also for everyone on her team to feel directly responsible for the success of FLOWERBX. As much as she loved working within huge fashion houses, she says, “I don't think I ever felt directly responsible for any of the big successes of the company. I was a small part of it, but I never felt directly responsible.”

Now, Whitney runs a thriving company poised to change the floral industry forever—and there’s no doubt that Whitney is the woman behind it all.

“I've never worked harder in my entire life,” Whitney says “but I've never been more fulfilled and personally gratified by every single success.”

Want to hear my entire conversation with Whitney Bromberg Hawkings? You’ll learn about her life in the fashion industry, how she balances running a booming business with motherhood, why empathy and compassion are such important leadership traits and so much more. Listen to the entire conversation on my donothing podcast.

Connect with me on Twitter and LinkedIn and keep up with my company imageOne here. Learn about my mission to show business leaders how mindfulness can transform you and your business in my book donothing. Visit www.donothingbook.com for more information.

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https://www.forbes.com/sites/robdube/2019/06/03/from-fashion-exec-to-floral-industry-disruptor/

2019-06-03 12:00:13Z
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UCLA architecture professor uses 3D printing in forward-thinking fashion designs - Daily Bruin

Julia Koerner said she sees the human body as a smaller version of a building – fashion sheaths the body much like a facade covers a work of architecture.

The UCLA assistant adjunct professor of architecture said fashion provides an avenue for her to explore her research in architecture on a smaller scale. She said fashion designing provides a more immediate translation from model to output, as opposed to architecture, since it occurs on a much smaller scale.

“Whatever I experience on a smaller scale in fashion design, I look at how I can possibly translate that into a building facade,” Koerner said. “I use it almost like a scale model.”

Koerner said her design process incorporates a variety of digital technologies, including 3D printing and prototyping softwares, used to conduct research. One of her earlier pieces was exhibited in Paris, where she worked with designer Iris van Herpen to create a hard resin dress. Because the dress was like a rigid shell printed in a particular size, they had to find a model that would be able to fit the dress’ exact measurements after it was printed. Since then, Koerner has been exploring more flexible rubberlike materials in her recent work.

“You can use recycled plastics and you can use water bottle filaments to feed the 3D printers,” Koerner said. “So there comes an entirely sustainable aspect – you can melt down your old sweatshirt and 3D-print a new one from the plastic you melted.”

Koerner said 3D-printing fashion pieces is an additive manufacturing process, meaning material is only used as needed. Usually, clothes have to be split into parts before being put together with seams, which often results in wasted material, she said. With 3D printing, the clothes do not require seams and the final product comes out in one piece, so less waste is generated. 3D printing can also aid in creating sustainable fashion by creating durable and recyclable products, leading to fewer clothes being tossed, she said.

Koerner was able to incorporate her 3D-printed fashion into the costume design for the film “Black Panther,” for which she worked on Queen Ramonda’s headdress and shoulder piece. Using 3D-printing technology, Koerner said she tried to emulate the intricately woven pattern of traditional African headdresses and shoulder pieces. Ruth E. Carter, the film’s costume designer, said she gave Koerner African lace, which she scanned into a computer to create 3D models.

Carter said she saw Koerner’s work with van Herpen at a fashion show and was intrigued by the wearable art they created. Because Wakanda is depicted as a nation with advanced technology, Carter said she thought the innovative design process would work well for the film.

“In the apparel world, we work with body form. … (The headdress and shoulder piece were) creating a sculpture piece that could actually add to the structure of the body form,” Carter said.

Utilizing technological advances for design has also become a part of UCLA’s architecture program, said Greg Lynn, an architecture professor. In the program, Lynn said they focus on having students learn to communicate with machines in order to manufacture things, instead of the more traditional route of working with structural engineers to figure out which pieces are physically feasible. Using digital technology and prototyping to design buildings allows students to be able to translate their designs into building parts without an engineer, Lynn said.

While Koerner’s work in fashion is separate from her teaching in architecture, she still manages to integrate her research in both, for example, by studying materials in fashion that could potentially be used in building design.

“(3D printing has) a lot of implications for the future,” Koerner said. “You can design objects and garments which have an aesthetic which cannot be produced with any other method.”

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https://dailybruin.com/2019/06/02/ucla-architecture-professor-uses-3d-printing-in-forward-thinking-fashion-designs/

2019-06-03 06:11:00Z
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Minggu, 02 Juni 2019

Why Are We Still Failing Black Models In 2019? - Refinery29

At five foot three inches tall, Vanessa Ohenlen has defied the odds to become a model and influencer. Despite snide remarks about her height on shoots, she graced her first cover, Beauty Papers, in September 2018 and recently starred in FKA twigs' AVANTgarden zine. She tells me about the troubles she has faced in the industry. "Ordinarily when you have issues you should be able to email your agency and let them know of any problems, but when I would email and I would get a reply three days later, they weren’t supportive. I felt as though I wasn’t being pushed. All the white women were being put forward for jobs. It was like they wanted diversity and yet it wasn’t being backed up." She adds: "I did an editorial with another white model from my agency and when the pictures came out our agencies posted the photos, but mine were hidden. I felt as though I wasn’t a priority." The stress has impacted her mental health, she tells me.

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https://www.refinery29.com/en-gb/fashion-industry-lack-of-diversity-discrimination

2019-06-02 06:30:00Z
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Sabtu, 01 Juni 2019

Fashion Nova’s Paradise-Themed Shirt Sparks Controversy - CBS Sacramento


PARADISE (CBS13) — A shirt depicting a burning house with the words “this must be Paradise” reportedly on sale on Fashion Nova’s website has sparked controversy in Northern California.

The Butte County town of Paradise was destroyed six months ago in the devastating Camp Fire, which killed 86 people.

On Friday, CBS affiliate Action News Now in Chico reported a viewer sent the link to the shirt on the company’s website, which was on sale for $16.98. The viewer said she was “personally appalled.”

READ ALSO: After Camp Fire, PG&E Customers Are Concerned About Rate Hikes

Action News Now reached out to Fashion Nova and they said the t-shirt was created before the Camp Fire happened and they took it down after the fire broke out. A Fashion Nova representative told Action News a glitch in the system made the shirt live again on their website.

(credit: Action News Now)

The company has now removed the t-shirt from the website and they said they were not trying to profit off the tragedy.

Fashion Nova also provided the station with purchase orders from June 2018, showing the shirts were ordered and meant to ship months before the Camp Fire started in November 2018.

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https://sacramento.cbslocal.com/2019/05/31/fashion-novas-paradise-themed-shirt-sparks-controversy/

2019-06-01 03:13:00Z
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