Selasa, 30 April 2019

'Fashion Nova causes cancer': Twitter is freaking out over a warning label on $34 swimsuit - USA TODAY

In the state of California, you're never too far away from a cancer warning label.

The state requires that the warning labels are placed on hotels, alcohol, coffee and apparently, clothes from Fashion Nova.

On Monday, Twitter was rife with reactions to the news that 2018's most googled fashion brand used materials in clothes that are "known to the state of California to cause cancer, birth defects, and other reproductive harm," according to a tag sewn into some of the garments. 

Twitter users @Aziaani posted a photo on Twitter of her new neon green bathing suit from the online retailer. 

She asked her followers, "Did y’all know this tag is in Fashion Nova swimsuits?"

The warning label says, "This product can expose you to Di(2-ethylhexyl) phthalate, lead and cadmium," which are chemicals linked to deteriorating male reproductive health, according to the National Library of Medicine.

Within 24 hours she was retweeted almost 5,000 times and the tweet was liked by more than 7,000 people.

Yuck!There's a 90 percent chance your tasty sea salt contains plastic, study says

Gross! Your smartphone is 7 times dirtier than your toilet. Here's how to clean it.

Twitter responses ranged from, "hold on you telling me fashion nova causes cancer" to “it won’t cause cancer if I wear it just once will it?" 

"You get what you paid for," writes Twitter user @bxfantasi. 

"They’re not getting any more of my coins," @Aziaani, who originated the post, writes about Fashion Nova.

The $34.99 bathing suit or "Water Sports Bikini" is sold out on Fashion Nova's website. It has a 5-star rating and 75 reviews. 

The tag references the state's Proposition 65 which requires visible warnings for potentially dangerous chemicals. Enacted in 1986, the legislation was amended in 2018 to include a provision that requires companies to identify the specific chemicals used that prompt the warning. 

Fashion Nova's support website says it complies with the statute. 

Though it's widely known as a bargain online retailer, Fashion Nova has five stores in malls across Southern California and many of its manufacturers are located in the Los Angeles area.

The company shot to fame in a relatively short period of time thanks to endorsements from influencers and celebrities such as Kylie Jenner and Cardi B. 

Follow Dalvin Brown on Twitter: @Dalvin_Brown. 

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https://www.usatoday.com/story/tech/2019/04/30/fashion-nova-warning-label-swimsuit-has-twitter-freaking-out/3624779002/

2019-04-30 15:54:00Z
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Serena Williams' Best Fashion Moments of All Time - E! Online

Serena Williams rules the tennis court and the red carpet.

The 23-times tennis major winner has turned heads many times with her stylish looks over the years, and even has her own fashion line.

She made her official Oscars ceremony debut earlier this year, wowing onlookers with her black strapless Armani Privé silk gown with a ruby red crystal panel on the bodice. In prior years, she often showcased chic styles at the annual Vanity Fair post-Oscars party.

On Monday, Williams will co-chair the "Oscars" of the fashion world, the annual Met Gala, aka the Metropolitan Museum's Costume Institute Benefit. This year's theme is "Camp: Notes on Fashion."

Williams had previously attended the 2017 Met Gala while pregnant with her and husband Alexis Ohanian's daughter Alexis Olympia

See photos of Williams' best fashion moments over the years:

Serena Williams, 2019 Oscars, 2019 Academy Awards, Red Carpet Fashions

Frazer Harrison/Getty Images

The tennis star turns heads on the red carpet at the annual ceremony.

ESC: Celeb Street Style, Serena Williams

Gilbert Carrasquillo/GC Images

In Coach.

Serena Williams, Burberry Launch

Astrid Stawiarz/Getty Images for Burberry

In Versace

Serena Williams, 2017 Met Gala Arrivals

David Fisher/REX/Shutterstock

In Versace

Serena Williams, Glamour Women of the Year

Dimitrios Kambouris/Getty Images for Glamour

In Versace 

Serena Williams

Steve Zak Photography/FilmMagic

In a white crop top and black tulle skirt

Serena Williams

Karwai Tang/WireImage

In an ivory gown with an embellished bodice

Serena Williams

Axelle/Bauer-Griffin/FilmMagic

In Ines Di Santo

Serena Williams

Eamonn M. McCormack/Getty Images

In Burberry

Serena Williams

Jon Kopaloff/FilmMagic

In Christiane King

Serena Williams

Jeffrey Ufberg/WireImage

In Narciso Rodriguez

Serena Williams

Venturelli/Getty Images

In an illusion-paneled floral gown

Serena Williams

Neilson Barnard/Getty Images

In Zac Posen

Serena Williams

George Pimentel/Getty Images

In a floor-length gown with a sweetheart neckline

Serena Williams

Jon Kopaloff/FilmMagic

In a strapless draped gown

Serena Williams

Jon Kopaloff/FilmMagic

In Rachel Roy

Serena Williams

Kevin Mazur/WireImage

In a draped gown

Serena Williams

Bethany Clarke/Getty Images

In Burberry

Serena Williams

Courtesy Delta

In a halter LBD

Serena Williams

Nils Jorgensen/Rex/REX USA

In a navy skater dress

Watch E!'s Live From the Red Carpet: The 2019 Met Gala special on Monday, May 6 starting at 5 p.m. ET/ 2 p.m. PT!

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https://www.eonline.com/ap/news/1036325/serena-williams-best-fashion-moments-of-all-time

2019-04-30 11:00:00Z
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Fashion To Be Overruled By The Wellness Industry - Longevity LIVE

Fashion today is all about self-awareness and it exemplifies the era we’re in. There’s no room left on earth for fleeting trends and fast fashion. Wellness has taken over and we’re seeing smarter, sustainable materials and production methods. So, yes, you could say that wellness has basically swallowed fashion to a great extent. People would rather talk about the sleekest yoga mat design rather than the silhouette of their dress.

You see, for centuries humans have been sold tons of things to make us feel better about ourselves. These materials are all there to boost our self-esteem. That’s just it. These materials are just things and are never going to sustain feelings of satisfaction without having to buy more. It’s actually a very smart business tactic and has made billions of dollars just so that we can feel more confident, richer and happier. However, all this ‘stuff’ is never enough and we’ve left it in the 20th century. We’re in the era of enlightenment and people want longevity in their life. They seek methods to find inner peace and fulfilment.

Things are a lot more aspirational and nobody wants a temporary fix anymore.  There’s no point in buying into a dream version of yourself when you learn ways to master how to make that version of you a reality.

Fashion Is Now Wellness

There’s a massive shift in the world’s thinking.

That’s why you’ll see this intersection between wellness and fashion more and more. It’s all about re-engineering the fashion cycle. This means that fast fashion and trend cycles no longer dictate what we wear. Instead, are embracing conscious design, responsible sourcing, and safer, ethical, more efficient value chains.

There have been so many changes in how we live, breathe and consume. Now our manufacturing processes have changed for the better too to help protect the environment and our health. The massive spark in interest towards fitness and health also means that clients would rather choose to spend their money on items that are going to help them on that journey rather than buying the next big fashion trend.

fashion [longevity live]

Part of this change is probably due to the rise in popularity of the athleisure athleisure trend. Simplistic items like sports bras and leggings were being sold like wildfire even though they cost an arm and a leg. I mean, why would you spend a fortune on gym clothes, normal people asked. Well, the world’s desire to transform themselves became so strong that they were prepared to spend that kind of money on such items. Amazing, right?

That’s why new activewear brands started to pop up all over, starting with Lululemon. And this was only the beginning. There is also a massive gap between the millennials and their baby-boomer parents. The world the millennials have grown up in is much more unstable, which means they’ve got a very different understanding of what security looks like, how an investment works and what their future environment will be.

Wellness Creates Stability

Do you ever get funny looks from your parents, especially when you bring up health, fitness or wellness topics? That’s because older generations don’t know as much about it and the concept may be strange to many. Whereas to younger generations, wellness is everything and is an investment in ourselves in this very unstable world.

As a result, worldwide the wellness industry is making billions. I mean, Pilates and Yoga classes are happening everywhere and big fashion brands like Chanel have even endorsed their own mats. According to The Guardian, celebrities have jumped on board too. There is Mark Wahlberg who says he starts his day at 3.40am with a 95-minute workout. And then you get Gwyneth Paltrow, owner of Goop, a company that’s collecting millions of dollars in the wellness sector.

fashion [longevity live]

Whilst the core focus of wellness is very positive, there is a downside too. The world wants to be super fit and healthy and because of this a certain amount of pressure has bee created to look a certain way and train yourself until the point of failure. Let alone being able to afford yoga retreats and pilates classes on top of that. So, whilst wellness is more sustainable than fashion – it could also set many people up for failure just like buying into a fleeting trend would. Motivation to look a certain way doesn’t last…So, what’s the next best thing then?

Setting An Intention And Paying For It

Despite your goals or how long you manage to maintain your motivation, you’re still going to have to pay quite a bit of money for your wellness. Yoga classes are not cheap – so, fancy lipstick or not, the trend still costs but at least we are trying to invest in ourselves for longevity, not the latest trend.

What does this mean for fashion? I don’t think wellness is going to get rid of fashion but it is massively influencing how we think about it. There are now more important topics for us to talk about and doing some planking instead of going shopping does seem a lot more productive. Focusing on getting better sleep and eating clean, instead of buying some new earrings will be better for you in the long run, even if it costs you just as much to do it.

Given the opportunity, I’d much rather spend my money on some good food and health supplements or gym equipment, rather than go and spend it on some new shoes. Things have certainly changed, because if you had asked me the same questions five years ago, my answer would’ve been very different.

What do you think this means for the fashion industry? 

Want to know more?

Coachella is a big deal for stars, especially when it comes to someone like Beyonce and the type of performance she normally puts on. She took her performance goals to the next level by going on an insanely restrictive crash diet to shed some pounds. Here’s why we don’t advise this kind of diet approach. 

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https://www.longevitylive.com/live-mindfully/fashion-overruled-wellness-industry/

2019-04-30 08:00:05Z
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Senin, 29 April 2019

In Defense of Fashion Criticism - Pajiba

Olivia Munn Red Carpet Getty.jpg
Olivia Munn Red Carpet Getty.jpg

Last week, Anna Sorokin, better known to the internet as scammer Anna Delvey, was found guilty of theft and grand larceny. The woman who pretended to be a German heiress in order to keep up the illusion of a high society party girl life was charged after becoming a viral hit when multiple stories documented the ways she tricked people, businesses and banks into giving her large swaths of money. It was hard to avoid conversations over her style during her trial, as it soon became known that an anonymous benefactor was funding her designer wardrobe so that she looked good for the court. An Instagram account followed every sartorial display. Publications like GQ and The New York Times dissected the politics of courtroom fashion. Even I wrote about it. There was a lot to say about Sorokin’s charade and how her clothing choices spoke volumes about our ideas of gender, class, criminality, and so on. In short, it was further proof of the need for great fashion criticism.

Another thing that happened last week, which we discussed here, was actress Olivia Munn’s unexpected and highly misguided attack on fashion website Go Fug Yourself. In a mini-essay she shared on social media, Munn accused Heather and Jessica, better known as the Fug Girls, of perpetuating a level of misogyny comparable to rape culture through body shaming and unnecessary cruelty towards other women. It became abundantly clear that Munn has never actually read anything on Go Fug Yourself beyond the benign jokes made about her own fashion choices, none of which ever made nasty comments about her body or appearance, and that whatever crusade she was trying to launch through this attack was based on fantasy.

We’re not here to talk about this issue specifically, mostly because we’ve already done so on this site and the Fug Girls are doing a hell of a job of simply carrying on with their business, but there was something about Munn’s words and those of her defenders that stuck in my throat all weekend. I kept hearing time and time again that what the Fug Girls did — or at the very least, what these people thought the Fug Girls did — was utterly devoid of value and merit in terms of critical understanding. People (often straight men, that’s all I’m saying) couldn’t wait to inform the rest of us that fashion blogging or talking about clothes wasn’t ‘real criticism’, it was just trash talking or a pointless frivolity that didn’t deserve the same level of consideration as, for example, film or literary criticism. Surely red-carpet chat and focusing on clothes is shallow, another unnecessary distraction from ‘the real issues’. They’re just clothes, we all wear them, and there’s nothing else to it, right? I wasn’t shocked to hear this sentiment being used against the Fug Girls, although I was somewhat surprised at how much I saw it over the past few days, including from figures in the entertainment industry who I at least thought were smart enough to know better. People in my field — pop culture criticism and reporting — have enough of a hard time justifying the existence of our occupation to jerks as it is without us making it worse for people in an even more maligned area of journalism.

Fashion, like romance novels, YA fiction, and crafting, is one area of culture that is widely written off as an exclusively feminine interest, although it’s also one that is still primarily dictated by the business and designs of men. In the UK alone, the fashion industry is estimated to be worth around £32 billion to the British economy. According to McKinsey, worldwide the industry’s worth passed $2.4 trillion in 2017. It is something that encompasses every aspect of culture, economics, and societal discourse, meeting at the various intersections of race, gender, sexuality, class, privilege, politics, and business. Ever seen that moment in The Devil Wears Prada where Andy scoffs at two seemingly identical belts before Miranda Priestly reads her to filth over her faux-self aggrandizing and claimed exclusion from the fashion world? It’s basically the perfect response to anyone who has ever sneer that fashion blogging and criticism is pointless.

The business of Hollywood and red carpet fashion has changed dramatically over the past three decades. Go back to Oscar ceremonies of years past and a lot of the time actresses are simply wearing something they already owned. Grace Kelly won her Academy Award in a dress she had worn several times before. The entire system of the red carpet cycle didn’t really exist at the time, and wouldn’t do so until the 1990s. One reason for that was Joan Rivers. Her red carpet coverage became the spectacle of the season, the often hilarious and deeply vicious commentary brought greater focus to the entire charade. The mere question of ‘who are you wearing’ was pioneered by Joan, but so was that element of competition and deeply personal meanness that would come to dominate it.

As a result, you saw red carpet fashion get a whole lot safer (no Bob Mackies, way less swan dresses, and so on) and a lot more polished. There was money to be made here, and major exposure to be garnered. Everyone remembers the Versace safety pin dress Elizabeth Hurley wore on the red carpet. The money got bigger, the names more prominent, and suddenly there’s an entire financial ecosystem at play. Stylists enter the equation, as do exclusive branding deals and loans of jewelry to show off on the Mani-Cam. The red carpet goes from a fleeting moment to the entire point of the night, and that extends beyond the night itself. Go on any major celebrity’s Instagram page and the chances are they’re tagging every piece of clothing they’re wearing so you can see the designer and their stylist. There are people working behind the scenes to ensure these business deals go off without a hitch, and for many an actor, these agreements can often be more lucrative than their acting work. Kirsten Dunst has talked candidly about how her fashion deals bring in enough money to allow her to do indie projects that pay far less than, say, a superhero movie. It’s not just people in the entertainment business who play by these rules either. Think of how a certain brand will sell out in minutes once it’s been seen on Meghan Markle or Michelle Obama, or how some fashion houses refuse to clothe Melania Trump. Theresa May wearing leopard print kitten heels became a whole thing in the UK in a way that she clearly intended. Dissecting the fashion of politicians like Condoleeza Rice and Dick Cheney won Robin Givhan a Pulitzer Prize. When you know everyone is going to be looking at you, the best thing you can do is make sure you have something to say with what you wear.

Fashion criticism and red carpet blogging has changed dramatically since Joan Rivers’ heyday. It’s gotten much less cruel, thankfully, and there’s a greater understanding of the mechanics behind it. Now more than ever, fashion demands our attention, be it for the discriminatory and overworked labour conditions of the people who make our cheapest clothes or the catwalk couture that dictates the trends of the masses for years to come. To ignore this or not apply the same level of cultural criticism to it that we do for books, film and so on would be to the detriment of us all. Besides, fashion blogging is also fun, and offering that kind of criticism through a humorous lens often makes it more accessible and less daunting to those who still see fashion as an elitist trend. It’s sad that doing so is still written off as either pointless or cruel because we understand art and culture so much better when we go beyond its surface and dissect the messages being sent.



Kayleigh is a features writer for Pajiba. You can follow her on Twitter.



Why MCU's First Openly Gay Moment Is Bullshit Representation


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http://www.pajiba.com/celebrities_are_better_than_you/in-defense-of-fashion-criticism.php

2019-04-29 18:20:32Z
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Longtime Fashion Designer Clarence Ruth Launches Colors De La Runway - Yahoo Finance

A coffee table-quality family book

NEW YORK, April 29, 2019 /PRNewswire/ -- Longtime fashion designer and style icon Clarence Ruth has launched a new project that blends together the vibrant worlds of art, education, and fashion for an early-learning experience families can enjoy together. Colors De La Runway Book is the first children's book of its kind, a unique work that introduces young ones to the boundless range of colors in the rainbow as seen through iconic fashion styles throughout the history of couture. 

This coffee table-quality family book is smart, witty, and stylish – a unique learning tool for kids that encourages an appreciation for the thoughtfully blended hues, refined lines, and complex shapes that have graced renowned designers' sketchbooks over the course of modern fashion. 

Colors De La Runway teaches children the colors of the rainbow in both English and French, and parents will enjoy its sophisticated approach during family reading time. Each expressive line drawing illustrates a look from a major designer or brand from the world's most prestigious runways. 

This collection of dynamic clothing sketches in eye-catching hues leaps off the page, captivating and delighting kids and adults who love rich colors, classic patterns, and timeless designs. Add it to your bookshelf, and watch it become an instant favorite of family and guests alike. 

The book is currently available for order at MoMa Design Store, Amazon, Barnes & Nobles, Book Culture and Books A Million. MSRP $18.99. For more information, please visit https://www.cottedarmesnyc.com/home.

Press Contact:
Sean Schrecengost
LuxuryLifestylePR03@gmail.com

Cision

View original content:http://www.prnewswire.com/news-releases/longtime-fashion-designer-clarence-ruth-launches-colors-de-la-runway-300839454.html

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https://finance.yahoo.com/news/longtime-fashion-designer-clarence-ruth-131500257.html

2019-04-29 13:15:00Z
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Behind the scenes at Fashion Week in New York and Paris is far from glamorous - Hastings Tribune

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Behind the scenes at Fashion Week in New York and Paris is far from glamorous  Hastings Tribune

Oh, the stories she could tell. Cheng Tan sees the unfashionable side of the haute couture fashion shows in New York and Paris, from which she recently ...


http://www.hastingstribune.com/behind-the-scenes-at-fashion-week-in-new-york-and/article_a80dd705-35ef-5670-b78a-3a87758dd617.html

2019-04-29 10:48:00Z
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BoF West Reveals How Entrepreneurship Is Changing Fashion | News & Analysis | BoF - The Business of Fashion

LOS ANGELES, United States — “In life, it’s really important for things not to come super easy for you — to accept that challenge, embrace it and roll with it,” said Serena Williams on stage at BoF West on Friday afternoon. The champion athlete, fashion entrepreneur and investor addressed an audience of more than 400 industry leaders and guests inside Westfield Century City Mall's open-air atrium at The Business of Fashion’s second annual West Coast summit, presented with principal partner Unibail-Rodamco-Westfield and associate partner Affirm.

Williams’ attitude towards overcoming obstacles was likely shared by many of her fellow entrepreneurs in the audience, who are also building brands in the fashion and beauty industries during an era of unprecedented competition. The internet and social media platforms have made it easier than ever before to start a business, but those who succeed must work harder to stand out in a saturated market.

A new era of entrepreneurship was the focus of BoF’s latest print issue and the Los Angeles summit, which welcomed a range of founders from direct-to-consumer brands like Allbirds and healthcare innovators like Headspace, as well as actress Elizabeth Banks, to the stage to discuss how they are using their platforms to create positive change and upending traditional business models by tapping into new markets.

Serena Williams | Source: Getty Images for The Business of Fashion

“Pressure is a privilege, and I’m privileged and I’m happy that I have that pressure,” said Williams about her many endeavours. The cover star of BoF’s latest print issue spoke with founder and CEO Imran Amed about self-funding her own line and her ambitious plans for growth, her investing thesis and how she balances her rigorous training schedule with being a mom and starting a business at the same time.

In many ways, Williams has been preparing to launch her direct-to-consumer line S by Serena her entire life, building on a love of fashion and a series of business attempts and partnerships that led her to finally decide to start a brand, with her own funding, in 2018. “ It’s really difficult to make money in fashion before the first 10 years, really, before the first 5 years,” she said, explaining that she has a “master plan” to expand beyond apparel to a full range of lifestyle categories, from beauty to childrenswear and jewellery and more.

“It was important for us to start with fashion because with it comes tons of marketing, tons of opportunities to dress different people,” she said. “People can see exactly what you’re about.”

Williams spoke about the importance of listening carefully to her customer. “My job is taking feedback — my whole life playing tennis, I take feedback.”

Williams didn’t rule out the possibility that she will seek out a strategic partner in the future but was clear that she wanted to have complete control over the branding and strategy for S by Serena. “When you do it with other people, it gets diluted, and I didn’t want my message, the clothing, I didn’t want anything to get diluted,” she said.

She listed direct-to-consumer brands Glossier and Casper as inspirations for her own brand, which she described as a modern apparel collection designed for “people who look like me,” she said. “I wanted to curate something for them.”

Williams has a similar approach to her investments, which she only recently revealed publicly despite having made more than 30 investments since 2014 in companies like feminine care products brand Lola and the African coding accelerator Andela. Her focus is on funding a diverse group of founders, especially women and people of colour, who have historically been completely overlooked by investors.

“One thing I’ve learned is that unless the people writing the checks are making a change, it’s never going to make a change,” she said. “A lot of people who are starting companies are just not getting funded.”

Melissa Magsaysay, Elizabeth Banks, Carineh Martin and Arianne Phillips | Source: Getty Images for The Business of Fashion

Williams wasn’t the only public person carefully considering how to turn her success into an engine of positive change in the world. Actress, producer, and director Elizabeth Banks took to the BoF West stage with costume designer Arianne Phillips and luxury brand consultant Carineh Martin, co-founders of the Red Carpet Advocacy Initiative (RAD), to discuss how public appearances can be leveraged to support philanthropic causes. The conversation was moderated by best-selling author Melissa Magsaysay.

With their brand new initiative, Phillips and Martin are flipping the red carpet model — where brands pay stylists and actresses to wear their designs to awards shows and film premieres — by facilitating a different kind of transaction. RAD encourages brands to donate to a charity chosen by the actress, who in turn promotes the philanthropic organisation with the media. At BoF West, Banks wore a dress from resale retailer ThredUp, which donated to Dress for Success on her behalf.

Martin said RAD’s mission is to bring talent and brand together to support a larger cause. “This is the exact opposite of pay for play,” she said. “It’s much more emotional, it is much more genuine.”

“It felt like a really seamless collaboration between all of the entities involved,” said Banks. “If I make a movie and it changes one person’s life, it was worth it because that’s all that we can hope for, to be connected to each other, one person at a time.”

For BoF West’s leading direct-to-consumer brand founders, forging connections is also a top priority — but with a community of customers who will spread the word about their businesses. The founders of Good American, Hims and Hers and Allbirds joined BoF's chief commercial officer Nick Blunden onstage to talk customer acquisition, market niches and collaboration.

Nick Blunden, Hilary Coles, Tim Brown and Emma Grede | Source: Getty Images for The Business of Fashion

Emme Grede, co-founder of inclusive apparel line Good American with Khloe Kardashian, said the brand is fueled by audience reviews. “They hold us absolutely accountable for every decision we make,” she said. “We are actively asking them every day, ‘What do you think, tell us what we should do next?’”

Tim Brown, co-founder of Silicon Valley’s favourite sustainable shoe brand Allbirds, said organic customer-driven marketing is key to any brand’s growth strategy today. “I think unless you’ve created a product or experience that people want to share and tell their friends about, and fills a gap, it’s not going to work.”

Hims and Hers co-founder Hillary Coles said the healthcare and wellness company’s willingness to think differently about marketing — putting up ads, for example, inside urinals — turns customers into evangelists. “We are popping up in the unique places… and, people are just delighted and surprised to be interacting with us in these new ways, so they’re sharing it,” she said.

Rohan Silva, Damian Bradfield, Bettina Korek and Richard Pierson | Source: Getty Images for The Business of Fashion

The power of community is also evident when considering the increased energy around innovation, arts, fashion and technology in Los Angeles, said Frieze LA’s executive director Bettina Korek. She joined WeTransfer founder Damian Bradfield, Headspace co-founder and CEO Rich Pierson on stage with moderator Rohan Silva, the co-founder of SecondHome.

“LA has always been where people come to reimagine themselves and reinvent themselves,” she Korek. “I think it’s that combination of the stereotypes of the Wild West still being very true, and that anything can happen here.”

Bradfield said the city also has space to support growth in a way that New York is too crowded and San Francisco is too expensive to provide. “The opportunity in this city to build, to actually expand and go upwards and outwards is phenomenal,” he said.

It’s also become a valuable place for attracting employees, as Headspace’s Pierson can attest. “We’ve had to put [together] a very diverse set of talent from all over the world,” he said, adding that it brings challenges because diverse employees see problems differently. But the creative process needs that tension, he said. “I’ve never been involved in a great creative project where you’re really proud of the result and where it hasn’t been really messy and really difficult.”

A willingness to get “messy,” as Pierson describes boundary pushing collaboration, comes more naturally in Los Angeles which, despite Hollywood’s dominance, lends itself to out-of-the-box thinking.

“This resistance to hierarchy between disciplines is a really important way people come together here in different ways,” said Korek. “How can you leverage that kind of energy to have an impact beyond what’s happening in the centre?”

Nick Blunden, Hilary Coles, Tim Brown and Emma Grede | Source: Getty Images for The Business of Fashion

Serena Williams | Source: Getty Images for The Business of Fashion

Frances Pennington attends the BoF West summit | Source: Getty Images for The Business of Fashion

Emma Grede at BoF West | Source: Getty Images for The Business of Fashion

Serena Williams at BoF West | Source: Getty Images for The Business of Fashion

Imran Amed and Serena Williams speak onstage at the BoF West | Source: Getty Images for The Business of Fashion

Melissa Magsaysay, Elizabeth Banks, Carineh Martin and Arianne Phillips | Source: Getty Images for The Business of Fashion

Christian Langbein and Celine Khavarani | Source: Getty Images for The Business of Fashion

Greg Chait | Source: Getty Images for The Business of Fashion

Adam Goldston and Ryan Goldston | Source: Getty Images for The Business of Fashion

Carineh Martin, Elizabeth Banks, Melissa Magsaysay and Arianne Phillips | Source: Getty Images for The Business of Fashion

Emma Grede and Jens Grede | Source: Getty Images for The Business of Fashion

Alison Edmond | Source: Getty Images for The Business of Fashion

Jens Grede and Patrick Finnegan | Source: Getty Images for The Business of Fashion

Rohan Silva, Damian Bradfield, Bettina Korek and Richard Pierson | Source: Getty Images for The Business of Fashion

Elizabeth Banks | Source: Getty Images for The Business of Fashion

Dr. Nigma Talib | Source: Getty Images for The Business of Fashion

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https://www.businessoffashion.com/articles/news-analysis/bof-west-reveals-how-entrepreneurship-is-changing-fashion

2019-04-29 04:30:00Z
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Minggu, 28 April 2019

Why This Fashion Company Is Paying Customers For Their Old Clothes - Forbes

Marine Layer launches tees for men and women made out of old tees and waste materials.

Marine Layer

Marine Layer, the California brand, known for their laid-back, outdoor-friendly aesthetic has launched a series of new t-shirts that is made of out waste -- old t-shirts sent to them by customers.

CEO Michael Natenshon says, “This has been in the making for a long time. It wasn’t easy building the process and infrastructure to make this happen. Recycling clothes is not always as easy as it seems.”

That’s because recycled fibers can lack the strength of their virgin counterparts. Plus, the process of separating blends requires expertise and experimentation — something the Marine Layer team, he says, had been developing for years before launching ReSpun.

Over the holiday season, Marine Layer called for customers to send in their used tees from any brand, not just theirs, and in any condition. They accepted all kinds of materials, barring activewear. Why? “That stretchy spandex is tough to break down. Instead, cut it up and use it to dry dishes. That stuff is like magic,” they advised customers on their site.

“If we did get some spandex, we sent it to be recycled for insulation, for example,” he clarifies.

Blended fibers of polyester and cotton, which is the vast majority of tees on the market, pose a large enough challenge on their own. Could the company create something that was akin to their existing collection? “We didn’t want to put out just a t-shirt, it needed to stand up to what we have in the shop already -- the same quality.”

The goal was to get 10,000 t-shirts, Natenshon explains. They hit that goal quickly with 25,000 shirts pouring in the first month. To date, they’ve collected more than 70,000 tees.

The result is eight styles of tees, four for men’s and for for women’s, now on sale on the Marine Layer site, that are made of 100 percent of recycled content, constituting each of 50 percent recycled cotton and 50 percent polyester. The prices range from $50 - $100 (so yes, not cheap).

The material is soft, in line with Marine Layer’s focus as a brand to produce the softest tees possible. This was achieved by “sueding,” a term used in the industry to scrub the fiber against a scratchy surface; the friction, thus, produces a smoother result. Much like exfoliating, one could say.

Marine Layer partnered with Spanish company, Recover, to create this line: a company that’s been in existence for 70 years, dating back to 1947 and upcycling textile waste since then -- long before the term sustainability even came into the modern lexicon. “They started doing this during World War II to be more efficient, and repurpose textiles,” Natenshon adds.

He acknowledges that shipping containers of used tees to Spain has its own carbon footprint. But, the challenge, he says, is even finding partners who are willing, interested, and capable of doing this work.

When he started the brand in 2009, the goal was to create the best t-shirt, he says. “We just wanted to create that super soft broken in T-shirt. The odds were stacked us against though. I literally had to charge $20,000 of fabric on my credit card and have it delivered to my apartment in San Francisco. There were so many initial hurdles. The industry is focused on scale and as a new brand, it’s hard enough to survive, let alone think about some of these environmental challenges.”

But now, it’s increasingly on his mind: in the next two years, Marine Layer wants to have Re-Spun fabrics constitute 50 percent of their collection. The initial collection of 8 is retro-inspired; without any new dying processes introduced into the process, they’ve stayed with colors came out of the recycling process.

Ultimately does this model work economically for more companies to replicate?

“So far, this whole process is quite costly for us. I hope it becomes cost effective soon. But we just had to take a leap of faith and invest in it up front,” Natenshon admits.

He’s hoping that it becomes something more mainstream with other brands taking notice though of the possibilities with recycling textile waste. He’s keen to share their process, and make it easier for others in the industry to replicate.

Consumers, he argues, are hungry for solutions. “People want to participate. They want to help, participate. When it comes to the apparel industry, there are not that many options of what you can do to be more eco-friendly, and recycling. Or it’s not very clear.”

Thus, can smaller brands such as Marine Layer lead the way in this research and development phase as the fashion industry tries to cut back on their carbon footprint?

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https://www.forbes.com/sites/eshachhabra/2019/04/28/why-this-fashion-company-is-paying-customers-for-their-old-clothes/

2019-04-28 12:41:00Z
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A Fashion Trend Returns - The Epoch Times

Look at a photo from the 80’s and you’ll notice some remarkable differences.  Men have sideburns and Buddy Holly glasses, women have Farrah Fawcett wings and people have cheekbones.

The cheekbone, like the collarbone and the shoulder blade, was one of the first clues that something was amiss. It simply disappeared after 1980 and is found today only on Tour de France contestants and New Zealand’s Jacinda Ardern.

Look again and under the wide lapels and polyester vests, you’ll see waistlines. Waistlines. Thanks to baggie hip hop clothes, low riders and Spandex no one has needed a waistline in years.

Leggings, which replaced blue jeans for women about 20 years ago, have been a mixed blessing in our national fat epidemic. Yes, they got women out of pantyhose (clearly invented by men) but they never failed to “fit,” allowing undetected weight gain. In fact, elastic waistlines were once called “The Devil’s Playground” for this reason.

Vanity sizing, in addition to leggings, has further kept people in denial. Women who think they are a junior size 3 or 1 or misses’ size 4 or 2 today thanks to size inflation would be shocked to find the original 7/8s and 9/10s, found in vintage and resale stores, won’t even get over their hips.

Who Remembers Blue Jeans?

Twenty years ago, many women of a certain age had jeans in two sizes—those for normal days and those for fat/hormonal days. Why? Because unlike leggings, “normal” day jeans would not “forgive” anything—and kept women at their normal weight. If their jeans fit, they were fit. And even though “stretch” jeans existed they were uncool.

But since then, Americans have blimped out. The average American man today weights 194 pounds and the average woman 165 pounds. Everything from airline seats to coffins to hospital operating tables has been redesigned to accommodate this gross national product.

So it is a good sign that jeans are back, big time. Sure they must be torn at the knees; sure their wearers are carrying cell phones and not Bics but it is still a positive trend.

There are many fashion trends no one wants back. The “corporate metal” look women adopted in the 1980s—poodle perms, pants suits, Reeboks the size of snowshoes and a 20-pound leather briefcase. The Olivia Newtown-John workout look—shiny tights and high cut leotards to minimize hips with obligatory headbands. Esprit’s clean-cut sappy pastels that ushered in grunge? Mid-calf acetate chemise dresses with anklets and pumps.

But jeans with their rebellious and youth message are a trend everyone welcomes. Unless, of course, they are stretch jeans or, perish the thought, “jeggings.”

Martha Rosenberg is author of the award-cited food exposé “Born With a Junk Food Deficiency,” distributed by Random House. A nationally known muckraker, she has lectured at the university and medical school level and appeared on radio and television.

Views expressed in this article are the opinions of the author and do not necessarily reflect the views of The Epoch Times.

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https://www.theepochtimes.com/a-fashion-trend-returns_2897509.html

2019-04-28 07:02:55Z
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